Tuesday, March 29, 2011
May 1–29, 2011
Sat, April 30, 6:00-8:00 pm
Sat, May 7, 5:00-7:00 pm
Oakland, CA—March 24, 2011. The Mills College Art Museum is proud to present Walking Backwards Forward, the thesis exhibition for the 2011 Master of Fine Arts degree recipients. The exhibition showcases works by a promising group of emerging artists created during their graduate program in the Mills College MFA studio program. The exhibition is curated by Stephanie Hanor, Director of the Mills College Art Museum.
Walking Backwards Forward features work by Alexa Alexander, Sholeh Asgary, Sohyung Choi, Hilary Galián, Sarah Hirneisen, Amy M. Ho, Emily Hoyt, David Johnson, Danielle Lawrence, Chelsea Pegram, David Sleeth and Alexander Treu.
According to Hanor, “Walking Backwards Forwards demonstrates not only the high quality of the work produced by the Mills MFA candidates, but also their dedication to continually pushing themselves to stretch and test their artistic capabilities.”
David Sleeth explores his interests in archeology through experimentation with materiality and form. His aim is to manipulate the perceived context of objects allowing the viewer to re-imagine their understanding of the world around them and their place within it. Using the metaphor of a knot, Sarah Hirneisen’s sculptures explore heritage, human relationships, and memory, creating logical connections between complicated systems.
In a climate of porous borders, Hilary Galián paints real and unreal places to investigate the condition of connectedness and belonging. David Johnson wants you to know that the world is made up of all sorts of ordinary things, but most importantly, it is made up of the interactions between these things. Through various time-based methods, he examines these interactions in order to better grasp the sum and the parts of the past, present and future. Sholeh Asgary is interested in exploring how memories are a fusion of fact and subjective filter. Through memory, the abstract and representational aspects of our experiences become intertwined, and in her mixed media works, she attempts a literal representation of this phenomenon.
Danielle Lawrence playfully investigates the perception of both formal and psychological space within traditional and hybrid offerings of representation. The resulting videos, paintings and sculptures explore illusions of security in our ever-changing social and environmental landscapes. Emily Hoyt questions how we can see the world fully when our emotional perspective is constantly changing. She creates installations using light, shadow, and linear forms as a way to frame the surroundings, underscoring our limited ability to grasp them in their entirety. Through her sculptural work, Chelsea Pegram explores a visceral mode of perception in which line and space are sensed and tactilely navigated as a way to reconsider our methods of making meaning.
Re-appropriating found photography, Alexa Alexander investigates how photographs are viewed and remembered. By physically dissecting and fragmenting photographs, she redirects the viewer’s focus to the act of looking while emphasizing recollection. Amy M. Ho builds video and spatial installation works that bring attention to the duality of our existence as both physical and psychological beings.
Every consumer product has a story about its origin, a story that reveals an alternative history of our lives. Through mixed media installations, Alexander Treu demonstrates his obsession with the food industry’s manipulation of our minds and bodies. Sohyung Choi’s large-scale, multimedia installation works explore self and cultural identity.
Special Events (please visit our website for updated details):
Sat, April 30, 6:00-8:00 pm
Opening Reception for Walking Backwards Forward
Sat, May 7, 5:00-7:00 pm
Panel Discussion with the MFA Artists moderated by Glen Helfand
Wednesday, April 6th 7:00pm - 8:00pm, Danforth Lecture Hall
STEPHANIE SYJUCO's recent work uses the tactics of bootlegging, reappropriation, and fictional fabrications to address issues of cultural biography, labor, and economic globalization. Working primarily in sculpture and installation, her projects leverage open-source systems, shareware logic, and flows of capital, creating frictions between high ideals and everyday materials. This has included starting a global collaborative project with crochet crafters to counterfeit high-end consumer goods; presenting a parasitic art counterfeiting event, "COPYSTAND: An Autonomous Manufacturing Zone" for Frieze Projects, London (2009); and “Shadowshop,” an alternative vending outlet embedded at SFMOMA exploring the ways in which artists are navigating the production, consumption, and dissemination of their work (2010).www.stephaniesyjuco.com
Friday, March 18, 2011
Thursday March 31st @ 7:00 pm Mills College, Fine Arts Annex 106
Los Angeles-based artist Sharon Lockhart creates films and photographs that are at once rigorously formal and deeply humanistic, meticulously observing the details of everyday life while also exploring the limits and intersections between the two mediums. Her work has been exhibited at major museums worldwide, including the Whitney Museum of American Art in New York, the Museum of Contemporary Art in Los Angeles, Kunsthalle Zürich, and the Vienna Secession. Her project Lunch Break, 2008, is currently the subject of a solo show at Gio Marconi in Milan and will travel to the San Francisco Museum of Modern Art in October 2011. Sharon teaches undergraduate photography and is a member of the MFA Core Faculty at the University of Southern California Roski School of Fine Arts in Los Angeles.
This lecture has been generously founded by the LEF foundation.
Thursday, March 3, 2011
The Mills College Art Lecture Series presents Bill Brown
Wednesday March 16, 2011 at 7:00 pm,
Danforth Lecture Hall in the Aron Art Center
Lecture made possible by the Herringer Family Foundation
Bill Brown is a filmmaker from the “Paris of the Plains,” Lubbock, Texas. He has made several short experimental documentaries about the dusty corners of the North American landscape. His work has screened at museums and festivals around the world, including the Museum of Modern Art, Lincoln Center, Rotterdam, and Sundance. Along with Sabine Gruffat, he has created Bike Box, a roving, mobile media bicycle library that allows cyclists to explore the urban soundscape.